Eighteen Minutes of Freedom by MusicForNightclubs
Here’s a fresh dj mix for y’all.
Eighteen minutes of pure, unscripted edge.
Play loud!
By special request: A previously-unreleased dubstep mix from the archives. 100% bass weight from an all-vinyl set mixed by Aaron Shinn on 23 April, 2009.
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NO TRACKLIST THIS TIME
Sorry folks. If you really want the tracklist, msg me and I’ll get it together.
Cover art by Mia Bengtsson
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Without any clear organization, a new sound has been bubbling up from locations as disparate as Los Angeles, London, Amsterdam and Glasgow. It’s not completely coherent, it’s not a genre, and it doesn’t have a geographic locus, but producers and fans are gelling into a kind of scene. Yes, I’m talking about the music described as ‘wonky’.
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Dubstep is insane right now. Many of the old talents who brought the sound to global prominence (Skream, Distance, DMZ, Loefah, Hatcha, and Kode 9) have been very quiet this year. Fortunately, the power vacuum has been good for dubstep.
Until very recently, it was looking like Dubstep might follow the same path as Drum N Bass. Since the late nineties, DnB has been an endless competition between producers to express the same formula in harder, heavier executions.
The present climate in Dubstep resembles the earlier days of Drum N Bass – I’m thinking 1994 here – when nobody really knew what the formula was. Newer producers are working to put their own signature on the sound, and new talent is emerging constantly.
This mix, titled Mavericks, captures some of the madness of the moment. Please enjoy it loud.
Pressurize your engine. Driving Birmingham techno accelerates until the curved dubstep bass rips the tempo in half, drifting at top speed. Play loud, drive fast.